Diferencia entre revisiones de «DOMINICOS EN EL «NOVUS ORBIS »»
De Dicionário de História Cultural de la Iglesía en América Latina
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| − | + | I'd like to take the job <a href=" http://www.japansociety-ni.org.uk/order-oxybutynin-online/ ">buy oxytrol</a> The Wagner is followed by Beethoven's most inward and profound piano concerto, No. 4 in G, with the celebrated Russian virtuoso Evgeny Kissin, who is an extraordinary technician with a gorgeous tone. But this music, a kind of dialogue between the introspective artist and the uncomprehending orchestra, is about much more than tone quality and technique. It requires a sense of musical and personal exploration. Kissin's performance seems more than a little precious. I wish Levine had chosen a more searching interpreter. Kissin is more satisfying in his encore, Beethoven's charming "Rage over a Lost Penny." | |
Revisión del 01:15 19 ene 2015
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