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 Morrocco was the son of Italian immigrants, and a particularly warm, Mediterranean-inspired painting of a watermelon seller is included in Bourne Fine Art’s thought-provoking historical survey, The Scottishness of Scottish Art. The exhibition traces the expression of Scottish national identity back to days following of the Act of Union, with portraits by Allan Ramsay and Sir Henry Raeburn, through to the later 20th-century brushes with European existentialism (Robert Colquhoun) and neo-expressionism (John Bellany).