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 Caro was regarded as the pre-eminent sculptor of his day for his abstract work and pieces made from metal and 'found' industrial objects. A former assistant to Henry Moore, Caro is credited with being one of the first people to remove sculpture from its plinth – a radical departure from the way the artform had been previously displayed – allowing the viewer to engage with the work on a one-on-one basis. He first came to prominence when he showed his large, abstract sculptures brightly painted and standing directly on the ground at a Whitechapel Gallery show in 1963.