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 Following that first transaction, the two men formed a highly efficient tag team, the sources said. Sacca would seek shareholders who wanted to cash out, while Rizvi helped raise money to purchase the stock.
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 Kraftwerk, headlining the main stage the following night, were never likely to leave their laptops and start high-fiving the crowd. The last time I saw them was during their acclaimed residency at Tate Modern. The (very relative) intimacy of that venue made for an extraordinary experience. The trouble is what might work in an indoor venue amongst the awed faithful does not necessarily translate to a field in Suffolk and a less partisan crowd. They struggled to maintain the enthusiasm that had greeted them. The longer Kraftwerk were on stage the more the crowd thinned and the more convinced I became that they ought, like Texas, to have headlined the smaller 6 Music tent where the likes of Radio Activity, Autobahn and Trans-Europe Express would have entranced and entertained rather than led to an exodus to the lavatories.