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 Then in 1970, Steadman was asked to illustrate a magazine piece on the Kentucky Derby. “I was told that the writer would be this 6ft 5in ex-Hells Angel with a shaved head who would be carrying a doctor’s bag. I was given his name, Hunter S Thompson, but it meant nothing.” Their first meeting did not go at all well. They spent three days trying to find one another, then when they did, Thompson took an instant dislike to him. “I thought he was pompous,” he recalled later. “I didn’t like him and I didn’t want him around.” Reluctantly, Thompson took Steadman for a drink at Louisville’s poshest club. There, as he always did, Steadman started drawing. “Hunter kept saying, 'For God’s sake, stop your filthy scribbling.’ It was the first time I realised that a drawing could be an offensive personal comment.
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