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 Wong’s visual grandeur is, as ever, all-encompassing. As with his underwhelming 2007 American debut, “My Blueberry Nights,” and his earlier, underappreciated future-set drama “2046,” the compartmentalized story is never at odds with the film’s operatic emotions. And Wong’s frequent star Leung remains measured and noir-ishly sardonic even in the one-against-an-army scenes.